german version

music-video-Art-project: opsonization

electro-acoustic-visually-3-D-surround-inspirations from (a travel through) the human body
concept, music & visuals by Duo fatale (JOPO & Ingeborg Poffet)
medical recordings by Dr. med. Daniel Müller

JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Denis Beuret bass-trombone


open files: - critic RGA - critic RN - youtube-live-show-demo-Basel - youtube-live-show-demo-Reutlingen - youtube-dvd-demo - youtube making off-video -
on this site: - Programm - Art-DVD music-video-Art-project: opsonization - Thema -
Art-video: scenes from opsonization - live-performance - making Off-video - biographies -

sunday 19.03.2017, 16:00 h

music-video-Art-project: opsonization
@  museum Gutenberg

in Fribourg, Switzerland
reservation

Again JOPO & Ingeborg Poffet create a "music-video-Art-project", which leads even more into spheres of the unconcious experiences as the formally projects out of 21 years of common work. The project is based on origianl medical recordings, such as sonography and doubled-sonography, which are electronically modified, both visually and audi-tracks. They put own compositions for horn, bassclarinet, accordion, voice and the vietnamese dan bàu on top of the electronics of heart-beat-modifications and realize subtile transformation. The fascination "human body" is confrontated with "technical possibilities". Nature and technics combine as a unique or as components that exclude each other.
Three beamers with different projections-screens and the sounds dive the room into a surreal conglomerate of divers impressions and prenatal experiences.

Kidnapped into the world of the inner of the body the audience will be witness as well as a part of a phantastic travel through blood-vessels and intracorporal operations, which seem to be familiar and strange same time. They are placed as part of the cellular membrane or as the nucleus. Two main story-boards (and even a small side-story) profile the live-performance: episodes of the beiings of the human body, physically and pathologically, and the biggest wonder in universe: the starting of life. The show triggers emotions, lures, seduces, amuses ...

To live with technics and nature, does it work together or against it?
Where does the technic starts in the physically everyday (teeth!), in music (overdubs with acoustic instruments up to computer-generated music), where starts the cyborg, what is still human, what means humanize or humanoise?
Noise as sound (Cage) …
The heartbeat as the main-sound in our life and it's the basic of “opsonization” - which is a procedure in the immunology,
to mark a cell as “strange, to delete” for the macrophages.

In “opsonization” there are just original medical recordings of sonographies, angiographies and others being used as basic for sound and visuals.

... The listener may fload in theses soundworlds, like in the stream of sonographic-pictures. Electronical effects or curious instruments like the vietname dan bàu with its special sounds work for themselves. The interaction of music and pictures appear clever devised. It's very sympathic that the trio celebrates the halluzinogene trip thorugh the bodyworlds with a wink. It's not just because they perform in white doctors white coats, but the whole performance plays with funny elements. All in all it's a consequent as well as quaintly implemented travel through the human body. (GEA)
ctritic of the Reutlinger General-Anzeiger (Germany) critic GEA and the Reutlinger Nachrichten critic RN

first crew:
JOPO
cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, corn, flh, elec
medical recordings by
Dr. med. Daniel Müller


frtl: JOPO, Ingeborg Poffet, Dr. med. Daniel Müller, Thomas G. Schoch

1 2
1 JOPO & Ingeborg Poffet 2 the musicians
1 2 3 4
1 - 2 Bar in the Safe 3 operation dvd 4 . "Dr. JOPO"

DVD music-video-Art-project: opsonization
XOPF-Records Nr. 044, available for Fr. 20,- / € 15,-,
you can order here.

content DVD (60'):
1 Blutstrom – l’âme du corps 4‘01‘‘
2 countdown to colon –
die enharmonische Verstoffwechslung 5‘08‘‘
3 Crepitatio – Odem des Lebens 5’51’’
4 the story about the claps to my heart 4’49’’
5 Epi Lepsia 4’42’’
6 Bones in space 4‘02‘‘
7 Arie der Larynx 4‘17‘‘
8 Vertigo goes Morbus Menière 5’23’’
9 Aortas Nichten und Nephren 3’22’’
10 get rid of the demons 5’12’’
11 contanimation for opsonization 7’00’’
12 the incarnation of Anika 3’07’’
13 credits

 

credits:
concept, music & visuals - Duo fatale
JOPO & Ingeborg Poffet

medical recordings - Dr. med. Daniel Müller
script
- Ingeborg Poffet
animation/video - JOPO & Ingeborg Poffet
cut
- Ingeborg Poffet
composition - JOPO & Ingeborg Poffet
Musiker

Ingeborg Poffet
acco, voc, dan bàu, elec
JOPO
cl, bcl, saxes, elec
Thomas G. Schoch
tp, corn, flh,
elec
recording engineer - Ingeborg Poffet
Art director - JOPO & Ingeborg Poffet
produced by
- Poffet & Poffet music-production

label & distribution - XOPF-Records

program live-Performance (75')

Program-notes of the music-video-Art-project: opsonization
The acoustic base of opsonization is the heartbeat of Ingeborg Poffet, recorded with double-sonographics by Dr. med. Daniel Müller, which have been electronically modified by JOPO. Also the visuals are made of the recordings with sonographic (by Dr. med. Daniel Müller) as well as x-rays, computer-tomography, magnet-resonance-tomography, laryngoscopes, cuts of histology and animations, modified and animated by JOPO & Ingeborg Poffet.

healthy and sick conditions inside the human body

the genesis of human life

the visualization through modern technics

1. bloodstream –soul of the body

First the vietnamese dan bàu represents the branching of the arterials, later the measure for augmentation and diminution of the regulation for the blood pressure. The saxophone starts to play, when the finest ramification of the capillaries are visible, where it is too tight for a float, so the erythrocytes have to wait “in cue” for the exchange of gas and squeeze through just one by one.
The blood ensures the providing of all organs with nutritive substances and oxygen. In the never ending circulation the heart is pumping 5 to 6 liters of blood in each single minute through the human body - in the state of rest, in demand even more.

2. countdown to colon – the enharmonically digestion

The trumpet symbolizes a piece of apple, which starts the way to digestion. The accordion and bass clarinet both symbolize the endless escapades of the meters of the gastrointestinal tract. "The enharmonic confusion" musically means the using of the same note in the well tempered tuning like g-sharp and a-flat, here it's a word-play specified by the changement of molecular structures, which stays the same but changes the form and surrounding.

3. ready for take off: getting off of the boys

Catapulted at the portal of the cervix the entrance has to be found and penetrated, which is possible only during three days because of the closing attribute of the cervical mucus.

4. crepitatio – odem of life

"Crepitatio" is a creasing sound which is hearable in case of sickness during the auscultation of the lungs with the stethoscope. Air is life.
The trumpet is shown by the inlay-film, the bassclarinet by the big one. The larynx of an amateur, which suffers of functional dysphonic, is underlaid the singing larynx of Ingeborg Poffet. It’s shown by the surrounding sound which correlates with the aspect of bad respiration.
The respiration itself is shown in the x-rays of a diaphragm, the laryngoscope passes over fluently to an endoscopy of the bronchial tree.

 

5. the story about the claps to my heart

Flap-sounds from the bass clarinet, accordion and horn symbolize the rhythmically movements of all valves of the heart. Mechanically, never the same, normally perfectly synchronized to each other, sometimes developing to arrhythmias, coming back to an organized rhythm, always in a pulse.
The valve-system of the heart, “announced” by the tricuspid-valve, played by the bass clarinet, conducts the way of the blood to the heart, lungs and the circuit through the body. But sometimes the telling is about errors, delusion, confusion, windings, shunts, whirls ... and about the metaphorical access to the heart of course.

 

6. way to Nirvana – sperm-run 1

With fresh energy the boys start their breathless way, but the entrance through the portal has to be fighted and worked for.

 

7. Epi Lepsia

An epileptic person never knows, when the next seizure will come. But many people can feel it coming because of the aura in advance. The synapses, which happily do their jobs before, suddenly start to fire more and more synchronically until unison: but that fore the brain is not meant to be, it brakes down to a 10 to 30 seconds of absence and/or a spasm, wherein the epileptic person looses consciousness.
The trumpet and accordion symbolize the normal ground activity of the synapses in both hemispheres. After 10 to 20 seconds of absences they start to play, getting to a stronger activity and finally playing a seizure in fortissimo. The base for this composition is an original recording of an electro-encephalography of the brain of a 15-year-old boy during a seizure. Samples of heart tones are playing the calm phase, a harder activity with starting of the aura, tachycardia during the seizure, deep breathing sounds of calmness with a slow pulse after an absence.
Histology exams of diverse nerves are the base of self-made animations with the pictures of a computer-tomography from the head of Ingeborg Poffet. The film shows the development of an epileptic seizure finally ending in a glissandi of pictures of the brain as the highlight.

 

8. Arie of the larynx

This is the lucky story of a big success of the vocal chords, shown and talked by witnesses of first hand, the larynx. It’s been sung a cappella, the visual multiplying get its musically pendant in the voice-life, a special vocoder for the voice. The sound like water or applause is the electronically modiefd heartbeat from Ingeborg Poffet, recorded with double-sonography. The basis is a laryngoscope of Ingeborg Poffet.

 

9. way to Nirvana – sperm run 2

Even a sperm sometimes might loose the orientation.

10. Vertigo goes Morbus Menière

Scene of crime: inner ear. Fluids of the cochlea are stretching the hear-membrane until it cuts, which means a loss of faculty of hearing and a strong vertigo.
In the cochlea endolymph from the scala timpani mixes with the perilymphe of the ductus cochlearis because of a strong income of sodium. That stretches the Reissner-membrane until it breaks. The cilia of the corti-organ, which ends at the membrana tectoria (to register finest movements of a single hydrogen-atom, the reason, why we are able to hear softest notes and sounds) and directs to a nerve of the nervus vestibulocochlearis, the VIII. brain nerve, for one special frequency, but then drag into an emptiness – they can’t fulfill their job, the human is def for this special frequency.

11. Bones in space

Since the beginning of space-shuttles with humans in the sixties science knows about the osteoporoses of the astronauts. Because of the absence of gravity and everyday-movements the mass of bones diminishes continuously. Calcium is released, osteoclasts work harder to catabolize the bones than osteoblasts can build it up.
The rigid composition is a mirror of the stereotype construction of the bones with spongosia and corticalis. The accordion stands for the strength of the corticalis of the lower limps below the hip, which continuously diminishes in space more and more with a climax up to the heel bone. The saxophone represents the thorax, which stays nearly untouched like the radius. The horn symbolizes the head, which even wins a little bit of mass – because of the flowing minerals of the other bones in the blood.
X-rays show the begin of the journey into space, like astronauts are measured before and after a travel. First everything is at its place, but soon there are changing’s in the femur, knee and tibialis – shown in some cat-scans. The thorax stays quiet a time untouched and represents the perfect stay in space: moons are rising , and suddenly you don’t feel like in a body any more but in space, while the thickness of the lower bones is in a free fall.

 

12. way to Nirvana – sperm run 3

Later the searching trip leads through the tubes to the egg-cell, which tempts with pheromones, the sperms can smell! They are supported by spiral slimes from the uterus during the fertile time. But the rivals have to be excelled, just the strongest will arrive.

 

13. aortas nieces and nephrews

With the aorta the big circulation starts through the body, brunching-offs lead to vessels always getting smaller, until the capillaries reduce the blood-pressure down to 10 percent, for the gas-exchange of oxygen and carbodioxid might happen in the slowest tempo. In the film the way leads to the nephrons of the right kidney (of Ingeborg Poffet) where the blood is filtered.
The composition is programmatically: the soloists stand for the enriched blood with metabolism-products which cry out like: “hei, I got to be transported”, so it is caught and “taken” by tutti-themes. The return of the themes refer to the nearly same construction of the vessels and their bifurcations.

 

14. way to Nirvana – sperm-run 4

If a sperm would have the height of a human, a man would have to swim through honey to measure the achievement of the slip of a sperm to reach his goal, the ovum.

 

15. get rid of the demons

This composition is written in 11/4, the thorax has a cut of 140 tomography-pictures. The figures inside – like in a Rorschach-ink-picture – are telling the story of the expulsion of the demons and the conquest of cancer, including a happy end.

 

16. way to Nirvana – sperm-run 5

The destination is near – but: there might be only one!

17. contanimation for opsonization

A fatale art-virus, created by the team Miller-Poffet-Poffet, released during the performance of “opsonization”. Like a retrovirus it mutates extremely fast, the receptors on its surface change faster than its rate of a dizzy reproduction. Everybody will be contanimated, the time of incubation is 7 minutes. The audience is in quarantine, enjoy the bar. A doctor is ready for your needs (sometimes).

 

18. the conjunction

Reached. But keen competition is already there. Just a single head can slip through the cover, which closes impenetrable within parts of a second.

 

19. the incarnation of Anika

She is back! The rubato-theme accompanies the way of the freshly conjuncted oöcyte, which moves while dividing through the tube to the uterus. Entered there the heartbeat changes and the theme of life starts.
First there is the will of incarnation which needs a fertilized egg-cell. Once implanted in regular order, sonographic-pictures show the development of Anika, from a tiny embryo with a visible heartbeat to a baby, which luckily wags for the completion.
The journey through the body has come to an end, a new being has been created.

 

During the live-performance two parallel storylines are shown: episodes from different conditions of the body, partly healthy (physiological) and partly with pathological changes. More over that the biggest wonder in the universe, the genesis of life, is told. All can be (modified) shown through modern technics.
Also a tiny side-story is there, a love-story of the abdomen, shown in the blacks between the scenes, two aortas fall in love together. Only their reproduction is used as base for the art-virus in the scene 17 of contanimation, so the audience is witness of the production and the outspread of an art-virus (that's why it is cont-animated while being contaminated).

The theme:
Opsonization is a mechanism of the immunsystem of higher living beings. During the opsonization the surface of strange cellulars or strange beings, that have entered the body, will be covered with antibodies and factors of the complement-system (C1-9), detected because of their design of antigenes. That's why the foreign cells can be discovered and eaten by the phagocytes. The numerous antibodies on the surface of the foreign body help to proceed the phagocytosis, wherein the foreign bodies are eaten up and dissolve. Receptors on the surface of the cellular membrane of the phagocytes dock to the antibodies and bring more receptors near the foreign cellular membrane, which is soon completely covered by the phagocytes.

Also we track down musically motives, mark and loop them, assimilate, work through and dissolve them (the musically phagozytosis). We work with sounds like the audio-double-sonographie, which we use as base for the music-concept, acoustically isntruments llike saxophone, trombone/trumpet, accordion, voice, dan bàu and electronics, computers and sampler.

We lure to certain expections which take unexpeted exits. Visually these ways are supported by travels into cellular structures and regions.

The roon-construction for the live-performance is like the cell: the audience is placed as part of the cellular membrane on chairs, but there are also about eleven nucleus places to lay down in the middle. The situation is perfectly integrated in the set up with three beamers, three screens, objects, musicians, loudspeakers and familiar heartbeats and heartsounds, reaching the perfectly strange feeling of being inside a human body ...


Visually basics are original recordings of the medical technics:
sonographie-videos, MRI-pictures, CTs (computer-tomographie-recordings), x-rays, cuts of histologies, which has been digitally edited and modified..

acoustic basics for the tapes are:
double-sonographie-recordings from different parts of the body, auscultation-recordings from the heart and the lung.

Two main story-boards (and even a small side-story) profile the live-performance: episodes of the beiings of the human body, physically and pathologically, and the biggest wonder in universe: the starting of life. The show triggers emotions, lures, seduces, amuses ...

 

conzept/composition/musical directors/ stage/sound/light/directors/producters JOPO & Ingeborg Poffet
script, CUT, text, organisation, graphik, webdesign Ingeborg Poffet
musicians

Ingeborg Poffet acco, voc, dan bàu, elec
JOPO cl, bcl, saxes, elec

Thomas G. Schoch tp, corn, flh, elec

visuals/video JOPO & Ingeborg Poffet
projection, visuals, objects
medical consulting & medical recordings Dr. med. Daniel Müller, centramed
director-consulting Salomé Imhof
Label DVD-rroduction XOPF-Records Nr. 044
production Poffet & Poffet music-production

Art-video: scenes from opsonization 14'40''

Arie der Larynx / aria of the larynx

Aortas Nichten und Nephren / aortas neeces and nephrews

get rid of the demons


Arie der Larynx @ 12. clair-obscur-video-festival 2012, screened 17.11.12 20:00 h

 

live-performances:

th
16.09.

PREMIERE:
music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Basel: Unternehmen Mitte, Safe, 20:30 h, reservations recommanded

fr
17.09.

music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Basel: Unternehmen Mitte, Safe, 20:30 h, reservations recommanded
sa
18.09.

music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Basel: Unternehmen Mitte, Safe, 20:30 h, reservations recommanded

su
19.09.

AFTERNOON-PERFORMANCE
music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Basel: Unternehmen Mitte, Safe, 17:00 h, reservations recommanded

mo
20.09.
SOLD OUT - SOLD OUT
music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Basel: Unternehmen Mitte, Safe, 20:30 h, SOLD OUT
tu
21.09.
music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Basel: Unternehmen Mitte, Safe, 20:30 h, reservations recommanded
we
22.09.
music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Basel: Unternehmen Mitte, Safe, 20:30 h, reservations recommanded
th
23.09.
music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Basel: Unternehmen Mitte, Safe, 20:30 h, reservations recommanded
fr
24.09.
music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Basel: Unternehmen Mitte, Safe, 20:30 h, reservations recommanded
sa
25.09.
FINNISSAGE:
music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Basel: Unternehmen Mitte, Safe, 20:30 h, reservations recommanded
4.12. music-video-Art-project: opsonization, music & visuals by Duo fatale, medical recordings by Dr. med. Daniel Müller; JOPO cl, bcl, saxes, elec, Ingeborg Poffet acco, voc, dan bàu, elec, Thomas G. Schoch tp, fl-horn, elec
Reutlingen (D): Franz.K, 20:30 h
17.11.
2012
.
 

Art-video: Arie der Larynx

@ 12. clair-obscur-video-festival 2012 Basel,

19.03.
2017
 

music-video-Art-project: opsonization
@  museum Gutenberg with Denis Beuret b-tb
in Fribourg, Switzerland



frtl: JOPO, Ingeborg Poffet, Dr. med. Daniel Müller, Thomas G. Schoch

video:
Making Off *opsonization* 4'15''

 

Art-video:
3 pre-scenes from opsonization 8'58''

sonozation
angio
vivation

 


short vitas
JOPO & Ingeborg Poffet are world-wide known as Duo fatale. In the Duo they play regularly on big int. festival-stages as well as in small club-concerts or filmmusic-studios. They work with electronic, are producers and create nonstop new formations, compositions, concepts, multi-media-events, cds, dvds, printmedias and other projects. They have won different prices Jugend Musiziert (several 1. prices for Ingeborg Poffet, accordion); 2. price Kunstkredit Basel (1990), special price of the Alexander-Clavel-Stiftung Riehen (1992), 1. price Marguerite de Reding 2001, improvisation, for Ingeborg Poffet (with Stefan Baumann & A. Isler), 1. price Swiss Music Composition Contest 2009, for Ingeborg Poffet, swiss syntharp competition 2010/2011 for both of them.

JOPO studied jazz on the altosax, later the bass clarinet. He was leadingf several modern jazz-formations and improvisation-ensembles, giving concerts with David Moss, Mani Neumeier, Peter Warren, Doug Hammond, John King, Pt. Arjun Shejwal and others. He's been soloist for different projects (F'orchestra, Peter Kleindienst Quartett), filmmusic-recordings for D.Detwiler/R.Schneider. Since 1983 he teaches saxophone, leads workshops and since 2000 he is leading the group “Halbtax In The House” together with Roberto dos Santos at the Musikwerkstatt Basel, where he is responsible for growing up and business as associate.

Ingeborg Poffet mainly accordeon, voice, composition, started to play several instruments and to sing at a very young age. She gave her first accordeon-concert at the age of four. She played classical and contemporary concerts both as a member of various orchestras and as a free lancer. Until '87 she took part at many training-colleges for concert-accordeon with Hugo Noth, Mie Miki-Schenck, Guido Wagner, Elsbeth Moser a.o. From 84 to 86 she studied computer music with Clarence Barlow at the Musikhochschule Cologne (Germany) and worked on different computer-music-projectsin Hamburg and Basel (at the Electronical Studio Musikakademie Basel with Thomas Kessler) and as free-lancer sound-engineer (for Ensemble IGNM Basel, Serena Wey, actress a.o.). Since 1979 member of various groups, and acoordion-player for THeater Basel and filmmusics from Niki Reiser and Daniel Dettwiler. She works with electronic, realizes computermusic and works as a recording engeneer and producer. She is creating new formations (together with her husband JOPO) and projects, compositions, concepts, multi-media-events and projects all the time. Sine 2007 she has developed several music-booklets for students (music-sudokus for kids and adults, beginners and players), released on AUGEMUS Musikverlag. She teaches concert-accordeon , theorie, voice and improvisation and leads workshops with eartraining, a cappella and mental training for musicians. Beside she is naturopath, nutritionist & phytotherapist.
www.duofatale.ch www.POFFETmusic.ch

Thomas G. Schoch, tp, corn, fl-horn, euph, voc, elec; improvisation, arrangement, composition; studies at H. Braun, M. Miller, J. Kuenzer and E. Bilgen; cooperations with Peter Kowald and the F-ORKESTRA from Freiburg; numerous cooperations with Kimmig, Lindenmaier, Hübsch, Poffet; Vorstandsmitglied of Freiburger Forums für improvisierte Musik fffiM e.V.; organizer at TREIBHAUS in the glashouse and FREISPIEL at the E-Werk; actuel works 2010: LaBELL* (Lindenmaier / Poffet&Poffet / Schach) SCHOCHS EXTRAPOST The Beauty in electric Ladyland – Grundgesetz vs. Hendrix, CD-Produktion mit F-ORKESTRA plays Mahler / Mahler plays the fork, LA MOUCHE Qui Pète – Mingus , Monk & More www.blechsalat.org

Dr. med. Daniel Müller,) internist and family doctor, one of the founders of the first network of family doctors in Basel (HMO) and since 1990 working at their practice Centramed in Basel. Additional education and certification in sonographic. www.bs.centramed.ch

Salomé Im Hof (1970) Regie-Beratung
Studies of ethnologie at the University Basel. Piano studies at the Musikhochschule Basel at Jean-Jacques Dünki, and studies of actors at the Werkstatt for music and theater, Basel. Work as director, dramatic adviser, actress and piano teacher. Regularly projects with theater and music-theatre at schools and music-schools.

Denis Beuret, basstrombone, electronic, composition, is established as composer as well as trombone-player. He plays solos but also works in formations with contemporary music, electro-acoustic-music, improvised music and Jazz in Europe and Asia with renowned musicians. He created more than 140 compositions and worked on many cd-productions. Looking for new trombone-sounds he has specialized on expanded techniques of playing his instrument, integrated live-electronic, musically programming and music-informatics. Beuret has developed a bass-trombone with special senses, that for he is able to control musically computer-programs with sonds and moves. Denis Beuret is living in Semsales, Switzerland. He is involved in cultural-politics, such as cultural-minister of Switzerland (2010-2011), leader of the New Association Creations and director of the annual Patchwork-Festival in Délémont. http://denisbeuret.ch/ , www.a-n-c.info , www.patchwork-festival.ch

Sponsoren:
mit finanzieller Unterstützung durch den Fachausschuss BS/BL Musik, die Basellandschaftliche Kantonalbank und durch die SUISA-Stiftung für Musik

Medienpartner:

Aufführungspartner:

Wir danken allen, die uns freundlicherweise eigene medizinische Aufnahmen zur Verfügung gestellt haben!

music-video-Art-project: Ghosttown (2007)

music-video-Art-project: cryptochronics (2009)

music-video-Art-project: inSection (2013)

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